Valentina I Valentini

With their fourth collaboration — this one starring Michael B. Jordan — Cretton and his filmmaking family ask us what good we can do with what we're given.

Not many moviegoers sit through the credits. On TV and streaming services, they whiz past our eyes and get popped into a small box in the corner of the screen in the service of autoplay. But Destin Daniel Cretton is determined to make up for it.

A handful of Sundance alumni, including Local 600 Director of Photography Tim Orr, gather to contemporize a classic figure of American letters with "Dickinson"

Trauma has always been fertile ground for art. Creativity is a way to process pain, to find meaning in personal suffering. It’s also, as a byproduct, a good way to get yourself mentioned in Oscar conversations. Which is precisely what has happened for Shia LeBeouf...

Netflix’s The Crown does wonders when it comes to sucking its audience back into the patriarchy; the acting, the sets, the costumes all point to pomp and circumstance where women were more ornamental than oratory. But because it’s the royal family, and we’re nothing if not fascinated by them, it doesn’t seem to bother us that Queen Elizabeth’s (Olivia Colman) story is so often dominated by the men around her.

Eddie Redmayne dashes over to the monitor, watching playback with his face inches from the screen. He shakes his head and mutters, eyes intent. “The thing is,” he says, staring at his miniature self, “for this to work it has to feel authentic.”

As a veracious fan of all things British — upper class, lower class, teatime, royals, you name it (I even moved to the U.K. just to be closer to their kind) — I was, perhaps more than most, eagerly awaiting the trailer for the Downton Abbey movie.

Awards are not a new thing for Fiona Shaw. She's received many in the theater world, including multiple Oliviers and a Drama Desk Award. Earlier this year, the Irish actress won a BAFTA for her role in BBC America’s hit drama, Killing Eve. And while Shaw's face is immediately familiar, her name might elude some on this side of the Pond.

At 25, Julia Garner has already carved out a career by playing anything but the girl next door. In her early days — that is, a mere eight years ago — she was part of the ensemble of 2011’s Martha Marcy May Marlene before her indie breakout came in Electrick Children a year later. She then nabbed small parts in bigger movies like Sin City: A Dame to Kill For and The Perks of Being a Wallflower, followed by a critically acclaimed recurring role on FX’s The Americans. Now she’s gotten her first ...

Spoilers below for The Handmaid’s Tale season three...

It is an extraordinary time in the expansion of documentary filmmaking when narrative nonfiction programming has reached rock-star status...

For those of us not entirely ensconced in all things Game of Thrones, HBO's newest show, Gentleman Jack, is serving up a different degree of period drama.

If you saw Taika Waititi’s early films when they first came out, you might have had the feeling of being initiated into a small club, weird and wonderful and wholly unforgettable. Waititi’s signature style of dry-yet-warm humor was born in his homeland of New Zealand, incubated among a small creative community that included collaborators like Jemaine Clement and Bret McKenzie of Flight of the Conchords, and has since graced the boulevards of Hollywood...

A day at The Grand Hotel Tremezzo - spas, pools and all the food

In the fictional land of Press – the BBC’s newest situation drama premiering on TV in September – there exist two main worlds: The Post and The Herald.